Win as One Campaign

2024

For Boston Scientific’s 2024 campaign, “Win as One” became a battle cry for the its sales force, a reminder that the team is greater than the sum of its parts. I created a visual identity that carried forward the “one” motif from the prior year’s “Be the One” campaign, uniting the numeral 1 and the word “one” in a single, flexible mark.

Win as One Campaign

2024

For Boston Scientific’s 2024 campaign, “Win as One” became a battle cry for the its sales force, a reminder that the team is greater than the sum of its parts. I created a visual identity that carried forward the “one” motif from the prior year’s “Be the One” campaign, uniting the numeral 1 and the word “one” in a single, flexible mark.

CLIENT

Boston Scientific Endoscopy

CLIENT

Boston Scientific Endoscopy

Role

Concept, Identity & Lettering

Role

Concept, Identity & Lettering

Service

National Sales Meeting

Service

National Sales Meeting

Orange Flower
Orange Flower

A battle cry for the field

A battle cry for the field

Greater than the sum

“Win as One” was Boston Scientific’s 2024 mantra: a clear call for the Sales Force to move into the field as a singular team. The campaign had to feel confident, collective, and energized enough to function as a daily motto.

Merging characters, and practicing restraint

I merged the character 1 and the word ONE into a single logo system that could carry the message with immediate recognition. In terms of design, this was as much of a practice in preserving the N. I was able retain the N's presence by imposing its negative serifs onto its neighboring E.

The temptation with a device like this was to run it everywhere. There were other opportunities in the wordmark to shoehorn in a "1" but intentionally restraining myself was the right move to keep this from becoming a gimmick.

Debuting the theme on camera

The theme reveal included a production interview, my first time explaining work in that format. This was an opportunity to show design thinking for an audience that doesn't think about type: that this wasn't a font, that the characters were drawn by hand, and to peel back the curtains on the process of creating a yearly theme.

From the computer screen to the stage

From the computer screen to the stage

Transforming this into a set

Cramer, produced the environment, and they took the wordmark somewhere I couldn't have on my own: a circular opening cut into the set, echoing the O at architectural scale. The presenters walked onto the stage from the O. That payoff of building a set identity belongs to their build team.

Seeing this in person truly validates the time I spent sweating the pixels on screen.